ARTWEEKS 2023 INSTALLED
- installation
- 2023


A R T W E E K S
layers of code
a single 40 x 40 inch panel
A die sublimation print on aluminium.
Oxfordshire Artweeks, 6th to 29th May.
A R T W E E K S
layers of code
a single 40 x 40 inch panel
A die sublimation print on aluminium.
Oxfordshire Artweeks, 6th to 29th May.
Samples from three tributaries of the GENERATIVE STREAM. Manifesting the online virtual stream as real world large format (commission only) prints.
A 40 inch square die sublimation on aluminium print as if installed on the studio gallery wall. A diagonally symmetrical burst of colour, generated by a unique REVAD algorithm.
Four 40 inch square die sublimation on aluminium prints as if installed on the studio gallery wall. A gradient map adaption of an original installation, constructed from a fusion of real and virtual components, mixing marker pen ink, on layered layout paper, with projected light. An outcome from the installation deconstruction phase. Recorded during an enquiry into ABSTRACT TEXT. Seeded by the text NUCLEAR FISSION SAVES LIVES.
A triptych (so far) made purely FOR THE SAKE OF PATTERN, using the CONNECT alphabet as a construction resource with pattern and not words in mind.
Layers of CONNECTED code. A coded play on Robert Indiana’s original concept. Made with the CONNECT MIX alphabet.
Layers of CONNECTED code, constructed in a MIX ALPHABET combining COLOUR and CONNECT alphabets.
The 40th anniversary edition of the annual Oxfordshire Artweeks begins tomorrow, Saturday 7th May 2022. This year my participation is via a virtual exhibition. Plus, there are open edition prints available from codedimages.com.
EXHIBITION = artweeks.revad.com
A print submitted for selection in the OXFORDSHIRE ARTWEEKS 40th ANNIVERSARY exhibition at THE JAM FACTORY in Oxford.
An installation proposal combining the installation of a painted (or maybe taped) CHAOTIC CONNECT wall and three large format framed prints.
Two concepts for installing A R T die sublimation metal prints. Conceived for Oxfordshire Artweeks 2022. The first concept is a single vertical panoramic print (up to 28 x 84 inches). The second concept is a triptych of square prints (up to 40 x 40 inches each). Prints are available from my ARTWEEKS collection.
1984 – thirty seven years on and we are almost there! Orwell’s social science fiction has never been as close to the truth as it is today. The internet is fast becoming the key enabler for: dystopian, mass surveillance, propaganda, doublethink, thought police, thoughtcrime, newspeak, totalitarianism. 2021.
Available on commission.
UPDATED: 2023-01-01
I have increased the importance of this digital print archive by forwarding my (long held) domain codedimages.com. The space has the main intention of being a convenient and organised archive of concepts (1,500 images and growing). Concepts realised (mostly) in the digital virtual domain. Then there is the side effect of making open edition prints available (on a selection of substrates and sizes). I do not see this as a commercial enterprise. I am not a commercial artist. I am not a business. I am not an entrepreneur. I consider it just another space to employ on my journey. When someone buys a print (it happens occasionally), it is a small bonus, and contributes much needed funds for art related services and materials. In 2022, an aim is to stabilise this space and take my fidgeting elsewhere. For me, that is a huge ask..!