artweeks 2023 installed

ARTWEEKS 2023 INSTALLED

  • print
  • installation
  • 2023

A R T W E E K S
layers of code
a single 40 x 40 inch panel
A die sublimation print on aluminium.
Oxfordshire Artweeks, 6th to 29th May.

generative stream

GENERATIVE STREAM

  • 2023
  • online kinetic
  • print static

Samples from three tributaries of the GENERATIVE STREAM. Manifesting the online virtual stream as real world large format (commission only) prints.

colour burst

COLOUR BURST

  • 2023
  • Print installed
EiT COLOUR BURST (c) REVAD DAVID RILEY

A 40 inch square die sublimation on aluminium print as if installed on the studio gallery wall. A diagonally symmetrical burst of colour, generated by a unique REVAD algorithm.

nucle gallery

a GaLLERY view of NUCLE

  • 2023
  • Print installation

Four 40 inch square die sublimation on aluminium prints as if installed on the studio gallery wall. A gradient map adaption of an original installation, constructed from a fusion of real and virtual components, mixing marker pen ink, on layered layout paper, with projected light. An outcome from the installation deconstruction phase. Recorded during an enquiry into ABSTRACT TEXT. Seeded by the text NUCLEAR FISSION SAVES LIVES.

for the sake of pattern

FOR THE SAKE OF PATTERN

  • 2023
  • Print
FOR THE SAKE OF PATTERN 1 (c) REVAD DAVID RILEY
FOR THE SAKE OF PATTERN 2 (c) REVAD DAVID RILEY
FOR THE SAKE OF PATTERN 3 (c) REVAD DAVID RILEY

A triptych (so far) made purely FOR THE SAKE OF PATTERN, using the CONNECT alphabet as a construction resource with pattern and not words in mind.

love

LOVE

  • print
  • 2023

LOVE © REVAD David Riley
LOVE © REVAD David Riley

Layers of CONNECTED code. A coded play on Robert Indiana’s original concept. Made with the CONNECT MIX alphabet.

connected

CONNECTED

  • print
  • 2023

CONNECTED © REVAD David Riley
CONNECTED © REVAD David Riley

 

Layers of CONNECTED code, constructed in a MIX ALPHABET combining COLOUR and CONNECT alphabets.

oxfordshire artweeks 2022

OXFORDSHIRE ARTWEEKS 2022

  • 2022
  • 40th anniversary
  • a virtual installation
  • open edition prints

The 40th anniversary edition of the annual Oxfordshire Artweeks begins tomorrow, Saturday 7th May 2022. This year my participation is via a virtual exhibition. Plus, there are open edition prints available from codedimages.com.

EXHIBITION = artweeks.revad.com

PRINTS = codedimages.pixels.com/collections/artweeks+33

a r t artweeks 40th exhibition

A R T ARTWEEKS 40TH EXHIBITION

  • 2022
  • Die sublimation print on aluminium
  • 8 x 24 inches (20 x 60 cm)
UNBOXING
DISPLAYING

A print submitted for selection in the OXFORDSHIRE ARTWEEKS 40th ANNIVERSARY exhibition at THE JAM FACTORY in Oxford.

a r t chaotic connect

A R T CHAOTIC CONNECT

  • 2022
  • installation proposal

An installation proposal combining the installation of a painted (or maybe taped) CHAOTIC CONNECT wall and three large format framed prints.

a r t concepts

A R T CONCEPTS

  • 2022
  • print installation concepts
A R T INSTALLED VERTICAL © 2022 REVAD David Riley
A R T INSTALLED © 2022 REVAD David Riley

Two concepts for installing A R T die sublimation metal prints. Conceived for Oxfordshire Artweeks 2022. The first concept is a single vertical panoramic print (up to 28 x 84 inches). The second concept is a triptych of square prints (up to 40 x 40 inches each). Prints are available from my ARTWEEKS collection.

1984

1984

  • 2021
  • Print collection
DOUBLETHINK TOTALITARIANISM © 2021 REVAD David Riley

1984 – thirty seven years on and we are almost there! Orwell’s social science fiction has never been as close to the truth as it is today. The internet is fast becoming the key enabler for: dystopian, mass surveillance, propaganda, doublethink, thought police, thoughtcrime, newspeak, totalitarianism. 2021.

1984 © 2021 REVAD David Riley

Available on commission.

UPDATED: 2023-01-01

print 2022

I have increased the importance of this digital print archive by forwarding my (long held) domain codedimages.com. The space has the main intention of being a convenient and organised archive of concepts (1,500 images and growing). Concepts realised (mostly) in the digital virtual domain. Then there is the side effect of making open edition prints available (on a selection of substrates and sizes). I do not see this as a commercial enterprise. I am not a commercial artist. I am not a business. I am not an entrepreneur. I consider it just another space to employ on my journey. When someone buys a print (it happens occasionally), it is a small bonus, and contributes much needed funds for art related services and materials. In 2022, an aim is to stabilise this space and take my fidgeting elsewhere. For me, that is a huge ask..!

PRINT 2022 © 2022 REVAD David Riley