artweeks instagram

• 2022
• virtual installation
• exhibition

So, there we have it, my Artweeks installation is complete. I had planned to post the summary views one per day, this week. But, I now have other things to do, and this forced my hand, so they are all here posted today. In addition, here is another view to summarise the summary. This one image overview is a boon for the lazy viewer! To finish, (I must say) this has been a very enjoyable project. A project where I have created many new outcomes and ideas for continued pursuit. Watch out for derivative outcomes as time passes by. Open edition prints are, of course, available from the usual source:

https://codedimages.pixels.com/collections/artweeks+33

installation #7 artweeks 2022

• 2022
• virtual installation

A seventh iteration, is currently installed at: artweeks This space will continue to change between now and the Oxfordshire Artweeks 2022 40th anniversary festival in May.

installation #1 artweeks 2022

• 2022
• A virtual installation

My first complete virtual installation of 2022 can now be viewed via: artweeks . I will be using this REVAD CODEDIMAGES space for my ARTWEEKS 2022 portfolio in May. Between now and then, installations may come and go, without warning. Enjoy them while they exist. Everything is transient.

sixzz ryb 2021

• 2021
• A fusion drawing series presented in book form with construction notes.

 

Outcomes from the SIXzz RYB exploration span both the virtual and real worlds, with pure digital outcomes and fusion outcomes. The fusion outcomes mix print and hand drawn marker pen. These outcomes are presented as three collections of five outcomes bound together with hand made construction notes.

love the noise of life – print

• 2021
• Print

(LOVE) THE NOISE OF LIFE – PRINT © REVAD David Riley

LOVE THE NOISE OF (LIFE) – PRINT © REVAD David Riley

A diptych of 12 x 16 inch Chromaluxe die sublimation prints, on aluminium. These should be presented in the same space, but not necessarily side-by-side. Here they are installed near a corner in the room. Opposite walls would make a visual connection across the room.

h u b – print

• 2021
• Print

(H) U B – PRINT © REVAD David Riley

H (U) B – PRINT © REVAD David Riley

H U (B) – PRINT © REVAD David Riley

A triptych of 12 x 16 inch Chromaluxe die sublimation prints, on aluminium with subframe. Presented here as individual outcomes. Ideally, these would be presented together side-by-side.

h u b

• 2016
• Acrylic and paint marker on panel

H U B – INSTALLATION © REVAD David Riley

(H) U B © REVAD David Riley

H (U) B © REVAD David Riley

H U (B) © REVAD David Riley

A triptych of 12 x 16 inch plywood art panels with subframe. Shown installed individually and exhibited as a triptych for a group exhibition in 2016.

covimetry premiere

• 2020
• exhibition

I am honoured to have my FOR COVIMETRY outcomes represented in this exhibition in Poland. The project is curated by Mark Starel. This recording was made for a Polish TV channel. To have my online animation featured, both in the exhibition and this recording, has made for a pleasant end to a challenging year.

GALLERY = http://www.bwa.ostrowiec.pl/covimetry/

PROJECT = https://www.facebook.com/Covimetry/

ANIMATION = https://codedimages.art/covimetry.html

PRINT = contact REVAD.

The face mask is used here as a symbol of our times. No masks are being sewn and none coloured by these outcomes. The mask outline is an artistic device and nothing more.

lockdown studio

• a studio view of work in progress
• gesso, pencil, marker pen, acrylic on paperboard

LOCKDOWN STUDIO © REVAD David Riley

Exploring the second week of our lockdown.

virus studio

• a studio view of work in progress
• gesso, pencil, marker pen, acrylic on paperboard

VIRUS STUDIO © REVAD David Riley

Working in isolation while influenced by the virus.

nuclear fission deconstruction

• 2018
• alternative states of a transient multiple media drawing installation
• painted brick wall, painted panel, layered A2 sheets of layout paper, masking tape, marker pen, led light, projected light

NUCLEAR FISSION DECONSTRUCTION © REVAD David Riley

nuclear fission saves lives

• 2018
• alternative states of a transient multiple media drawing installation
• painted brick wall, painted panel, layered A2 sheets of layout paper, masking tape, marker pen, led light, projected light

NUCLEAR FISSION SAVES LIVES © REVAD David Riley

NUCLEAR FISSION SAVES LIVES © REVAD David Riley

NUCLEAR FISSION SAVES LIVES © REVAD David Riley

mesh those squares

• 2018
• a series of transient multiple media drawing installations
• painted brick wall, painted panel, A2 layout paper, masking tape, marker pen, led light, projected light

MESH THOSE SQUARES © REVAD David Riley

MESH THOSE SQUARES (LINE) © REVAD David Riley

MESH THOSE SQUARES (WHITE SPACE) © REVAD David Riley

MESH THOSE SQUARES (BLACK SPACE) © REVAD David Riley

MESH THOSE SQUARES (LINE) – MAPS © REVAD David Riley

MESH THOSE SQUARES (BLACK SPACE) – MAPS © REVAD David Riley