artweeks 2023 installed

• print
• installation
• 2023

A R T W E E K S
layers of code
a single 40 x 40 inch panel
A die sublimation print on aluminium.
Oxfordshire Artweeks, 6th to 29th May.

generative stream

• 2023
• online kinetic
• print static

Samples from three tributaries of the GENERATIVE STREAM. Manifesting the online virtual stream as real world large format (commission only) prints.

colour burst

• 2023
• Print installed

A 40 inch square die sublimation on aluminium print as if installed on the studio gallery wall. A diagonally symmetrical burst of colour, generated by a unique REVAD algorithm.

nucle gallery

a GaLLERY view of NUCLE

• 2023
• Print installation

Four 40 inch square die sublimation on aluminium prints as if installed on the studio gallery wall. A gradient map adaption of an original installation, constructed from a fusion of real and virtual components, mixing marker pen ink, on layered layout paper, with projected light. An outcome from the installation deconstruction phase. Recorded during an enquiry into ABSTRACT TEXT. Seeded by the text NUCLEAR FISSION SAVES LIVES.

for the sake of pattern

• 2023
• Print

A triptych (so far) made purely FOR THE SAKE OF PATTERN, using the CONNECT alphabet as a construction resource with pattern and not words in mind.

artweeks 2023 venue

• virtual exhibition
• 2023

ARTWEEKS VENUE © REVAD David Riley

My 2023 OXFORDSHIRE ARTWEEKS entry is confirmed for the May county wide ARTS FESTIVAL. My venue number, in the festival catalogue, is 514. Although the festival is in May, it has become traditional for me to FIDGET my ARTWEEKS profile with regular installation updates during February, March and April, only settling on a final installation in the week prior to the festival opening. My official profile can be found via:

https://artweeks.revad.com

love

• print
• 2023

LOVE © REVAD David Riley

Layers of CONNECTED code. A coded play on Robert Indiana’s original concept. Made with the CONNECT MIX alphabet.

connected

• print
• 2023

CONNECTED © REVAD David Riley

 

Layers of CONNECTED code, constructed in a MIX ALPHABET combining COLOUR and CONNECT alphabets.

a pattern of

A PATTERN OF BAD LANGUAGE

No. No expletives, just the phrase. . .

Originally installed on Instagram.

oxfordshire artweeks 2023

I am participating in Oxfordshire ARTWEEKS again this year. My new profile will be available from early February and will be updated through to the festival in May. As usual, my exhibition will be virtual with different perspectives available on my ARTWEEKS profile: artweeks.revad.com and Instagram: instagram.com/codedimages.

UPDATED 2023-03-14: now showing installations 1, 2 and 3.

Is this the final installation for May? Right now it feels good, but with several weeks to go it is impossible to say. Further inspiration can emerge at any time without warning. . .

h n y

H A P P Y N E W Y E A R 2 0 2 3

power of 13

SEASON’S GREETINGS (POWER OF 13 / 2022)

Today, I made my (now) traditional new rendering of my POWER OF 13 seasonal tree. I started this around ten years ago. The concept was triggered by Sol Lewitt’s ALL IFS ANDS OR BUTS CONNECTED BY GREEN LINES. I just used numbers instead and gave each digit a unique colour, an idea I have used elsewhere in: https://cddmgs.wordpress.com/2018/03/08/100-significant/ . Anyway, here is this years rendition , made using Procreate, on an iPad Mini 6, with an Apple Pencil:

neuroconnect

• 2022
• a beginning
• digital sketches made using an iPad, Apple Pencil and Procreate

Getting started with the idea of drawing my CONNECT series using a neurographic hand drawn aesthetic. A series I have named as NEUROCONNECT. These early outcomes were drawn on an iPad using an Apple Pencil and Procreate. Some tweaks may have been applied via the iPad version of Affinity Photo. I plan to do some real world drawing in a similar style of fluid mark making.